I have a real problem with the episode “Dalek“.

RTD made the damned thing so cool, no Dalek before or since can live up to it. Seriously.

The whole sequence where the Dalek assimilates time energy to regenerate, then heads out to exterminate its captors. The solders fall back, firing meagre weaponry that fails even to penetrate the Dalek’s basic shielding. We see bullets fly, only to slow, flatten and fall to the ground. The soldiers spread out, and we discover the Dalek war machine has 360 degree rotation in the upper and mid-section. Killing energies fly – soldiers fall, skeletons momentarily visible.

The Good Dalek did some of that here – and the soldiers tried all they could to stop it… but the Dalek couldn’t do anything really cool. It didn’t do anything new. It blundered along like the Jock sauntering into the party late, unaware that the really Cool Guy arrived an hour earlier in the same clothes and pulling off better tricks.

As a result, “Into The Dalek” didn’t break enough new ground. Doing the “Innerspace” thing, miniaturised to complete repairs, proved interesting enough, but the Dalek failed to stun or amaze. I want to be wowed.

And, I could easily be wowed with just that 360 degree swivel thing and a bit of hovering.

Or, if someone could please serve me up a technicoloured iDalek (per “Victory of the Daleks”), because I didn’t have a problem with that particular makeover. They appeared in “Asylum of the Daleks“, so why not since… and why did they appear on that occasion and not have an issue with the old gold-style kind?

Anyway – I found the threat of the Dalek underwhelming and the human forces uninspiring. For all the tough talk of putting The Doctor to death the moment he arrived, they appeared woefully ill-equipped in the face of a single enemy.

And why did they bring it on to the ship if they didn’t have the guns to handle it? I understand the lure of a partly disabled Dalek and the potential of turning it against your opposition – but, when it bites during the operation to heal it, shouldn’t you have proper gloves and something ready to put it down, just in case?

The Clara/Pink sub-plot didn’t grab me much.  It seemed weakly tagged on and all too obvious where it was going with the anti-militaristic viewed of the Doctor in the aftermath of his last regeneration. A Good Man Went to War – and he didn’t like it much.

I know everyone differs in taste and exposure to TV – and kids watching won’t have this issue at all (but, I’ll be continuing with this in a moment) – but guest starring Tyres (Michael Smiley, ‘Spaced‘) and Vod (Zawe Ashton, ‘Fresh Meat’) in the same episode proved a little too much for me. How can I take this war seriously?

Especially given the continuing adjustment to The Doctor…

I didn’t have trouble with the accent this time, but I did suffer some severe Malcolm Tucker moments. When The Doctor first inspected and talked about the Vault inside the Dalek that inhibited certain emotions – something in his tone and delivery just shouted Malcolm at me. Anyone who never watched “The Thick of It” won’t get what I’m suffering. However, I suspect those people who straddle fandom of Who and Tucker might be having issues differentiating the performance – which ultimately must come back to Capaldi and the writing.

One hopes that he still has time to settle.

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I had no particular expectations about Peter Capaldi as The Doctor, because the actor and the character so often have little in common. I mean, take David Tennant adopted a different accent and before Who his hair wasn’t so flamboyantly coiffured. I wanted to take the new Doctor as something of a blank slate.

Deep Breath offered an unexpected experience in that respect, as I found myself genuinely struggling to understand anything Capaldi said for the first 10 or 15 minutes. Maybe I’m just getting old and decrepit or something. I’m ready to consider that the failings of age might go some way to providing explanation. Perhaps my problem is a combination of Capaldi’s accent and the incidental music?

I definitely got the ‘jump on’ vibe – the sense of revisiting some basic principles just for the benefit of new viewers. At the same time, the script and plot contained plenty of elements suitable for fans – both of the Classic Who period and the 21^st century rebirth. The Clockwork Robots were obviously not simply a nod, but an out-and-out connection to the much-loved episode, The Girl in the Fireplace.

I found the difficulty suffered by Clara in taking onboard the regeneration a struggle to empathise with. No one seems to have gone through this much trauma before – even Peri, who in waking to find the Doctor regenerating into Colin Baker was promptly set upon and strangled. She adjusted remarkably well.

Deep Breath has a slight feel of The Christmas Invasion, with The Doctor taking to bed, recovering from his regeneration. Capaldi harnesses the bewilderment common in so many post-regeneration Doctors, new and old.

I like Strax, though he undoubtedly must have a Jar-Jar/Marmite-style following amongst viewers. Sometimes, the humour hits the mark; other times, you have to wonder why Moffat has singled the Sontaran out for ridicule… I mean, they’re already a race of short, potato-headed clones. Do they need more piss taken out of them?

In some respect, now that I think about it, the fight between The Doctor and the Almost Man was rather similar to the sword fight between Tennant and the Sycorax Leader in The Christmas Invasion. The combatants battle close to the edge of the abyss and we have genuine doubts as to whether the Time Lord has it in him to not only win the fight, but also to put an end to the threat. Both adversaries spiralling to the ground… well, if anyone labels The Doctor out as cold for this act, it begs comparison with Tennant as setting the precedent.

I’m ready to continue watching and see how this pans out. Moffat has piqued my interest with Missy, as I’m certain it’s meant. I’m thinking something to do with River and her Virtual Tomb in the Library.

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